
Marianna Maslova
Born in 1985 in Kazakhstan, the city of Zhairem. Works with graphic techniques: etching, mokulito, engraving, drawing, collage. Since 2007, she has been participating in personal and group exhibitions. The artworks are in private collections in the USA, France, Ukraine, Georgia, Kazakhstan, Great Britain, Italy, Spain, Costa-Rica, Columbia, Hong Kong, Poland, Greece, Belgium, Switzerland, Slovenia, Japan…

Born in 1985 in Kazakhstan, the city of Zhairem. Works with graphic techniques: etching, mokulito, engraving, drawing, collage. Since 2007, she has been participating in personal and group exhibitions. She graduated from Kyiv Mykhailo Boychuk Institute (2010), attended the workshops of O. Titov, L. Yakimashchenko, and O. Stratiichuk. Lives and works in Kyiv. Since 1994 she live and work in Ukraine. The first impressions of the Kazakh steppe, the original folk flowers, patterns influenced the details of her work. Many artworks can trace the ornaments of Middle Asia, and the variety of details resembles the steppe spring. In the middle of the nineties she came to Ukraine. If Kazakhstan is full of contrasts and clear contours, then the nature of Ukraine is made up of nuances and lace lines.
International Group Exhibitions
2024
• CityX NFT Art Project, Lume Studios, New York, USA
• "Migration", Galeria za Szklem, Wroclaw, Poland
2023
• The Great Wave of Kanagawa, Estacao Gallery, Portugal
• 21st International Biennial of Engraving, Sarcelles, France
• PrintCard Wrocław "Piasek/Sand", Juhan Liiv Museum, Estonia
• Yokosuka Peace Art Exhibition, Yokosuka, Japan
• Prometheus for Ukraine, Gallery Zannart, Warsaw, Poland
2022
• The Ukrainian Art Wall, Hundertwasser-Uelzen Station, Germany
• Tirana International Biennale of Graphic Arts, Tirana, Albania
• Split Practices, IMPACT12, Bristol, UK
I work with graphic techniques that help show the rhythmicity and repetition of modern architecture. The etching also reveals the theme of botany, the cyclical nature of the world. I transform things into new codes or symbols that become the new modern alphabet. I also experiment with printed techniques and zero-waste art
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Battle of the Archangel on Kharkivskaya
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Scaffoldings Series
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